Carl Benton Reid

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

Profiles in Courage is an American historical anthology series that was telecast weekly on NBC from November 8, 1964 to May 9, 1965. The series was based on the recently President John F. Kennedy's Pulitzer Prize winning book, Profiles in Courage.

The 20th Century Fox Hour is an American drama anthology series televised in the United States on CBS from 1955 to 1957. Some of the shows in this series were restored, remastered and shown on the Fox Movie Channel in 2002 under the title Hour of Stars. The season one episode Overnight Haul, starring Richard Conte and Lizabeth Scott, was released in Australia as a feature film.

Dick Powell's Zane Grey Theatre, sometimes simply called Zane Grey Theatre, is an American Western anthology series which ran on CBS from 1956 to 1961.

Target: The Corruptors! is an American crime drama series starring Stephen McNally which aired on ABC from September 29, 1961 to June 8, 1962. The series was produced by Dick Powell's Four Star Television.

Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.