Carmen Conesa

Valencia, 1993. For Ignacio Jordá, sex is his greatest obsession. But Nacho is done with being the black sheep of his family and wants to show he can do more than drift through life.

In the 1920s Victoria and Ángel fall in love in a small town, northern Spain. They are two people both from a different social class, she is the daughter of a wealthy businessman and he comes from a poor family. They are so in love but social norms and circumstances of the era force them to break up. Several years later, they meet again, Victoria as a powerful businesswoman and Ángel as a priest.

Christmas is coming. The children accidentally break a Nativity scene figurine from their father's collection and must by all means get an equal one, the problem is that it is a unique antique piece. Sara, the eldest daughter breaks up with her boyfriend, Ocho, who will try to recover her favors with the help of her father-in-law, Javier. Precisely Javier's father-in-law, Marisa's father, will be welcomed into the family home to spend the holidays after her recent separation, which will not leave Javier's mother, Milagros, indifferent. Rocío, the folklore of the family, who has been playing the Virgin for several Christmases, is relegated this year to playing the shepherdess, something that her father, Javier, is not willing to assume.