Diana Bellamy

The wife and mistress of a cruel school master collaborate in a carefully planned and executed scheme to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The psychological strain starts to weigh on the two women when a retired police investigator begins looking into the man's disappearance on a whim.

A tale about a happily married couple who would like to have children. Tracy teaches infants, Andy's a college professor. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Brooke McQueen, a popular cheerleader at Jacqueline Kennedy High School, and Sam McPherson, the editor of the school paper, are polar opposites. When their single parents unexpectedly meet and get engaged, Brooke and Sam have to deal with their new situation on top of regular teenage girl problems.

Superhuman Samurai Syber-Squad is an American television series. It was produced by Tsuburaya Productions, Ultracom and DIC Entertainment, with distribution by All American Television, and ran for one season from September 12, 1994 to April 11, 1995 in syndication, as well as on ABC. It was an adaptation of the Japanese tokusatsu series Denkou Choujin Gridman which was produced by Tsuburaya Productions. The series was originally going to be named PowerBoy but was renamed Superhuman Samurai Syber-Squad to avoid confusion with Saban Entertainment's Mighty Morphin Power Rangers. The series development mirrored the creative construct established earlier with the Teenage Mutant Ninja Turtles. The master toy licensee -- Playmates Toys—funded the series, interpolated American development via toy licensing rights, and did a commercial buy-in on the Fox Network, where Haim Saban had established a kids block of time with other programs like "Power Rangers." Playmates called upon the development team at DIC. DIC, Pangea and Playmates' marketing group created an ensemble of character names, traits and profiles, which were spun into a most ambiguous series offering. More than anything else, this was a quick-to-market slam dunk to capitalize on the upsurge in popularity of imported Japanese monster-robot shows which could be adapted with new, regionalized live-action footage.

In what appears to be a cross between Critters and The Towering Inferno, the residents of a shoddy L.A. apartment block are chased up to the roof by hoards of the eponymous hairy horrors.