Flea

Jack Hammond is sentenced to life in prison, but manages to escape. To get away from the police he takes a girl as hostage and drives off in her car. The girl happens to be the only daughter of one of the richest men in the state. In a while the car chase is being broadcast live on every TV-channel.

When the Rugrats find themselves stranded on a deserted island, they meet the Thornberrys, a family who agrees to help them escape.

A sequel to the 2017 film Baby Driver.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.

Featuring original interviews with America’s punk pioneers and the U.K.’s most notorious bands, alongside a seamless blend of rare and unseen photos, gritty archival film and video, a crackling soundtrack of punk hits and misses, this documentary series explores the music, the fashion, the art and the DIY attitude of a subculture of self-described misfits and outcasts.

Arlo and his newfound crew set up shop in an abandoned seaside neighborhood and help bring it back to life.

Eliza and Debbie are two sisters who don't always get along. But their relationship is put to the test when Debbie's life is in danger, and Eliza might have to give up her power to talk to animals....

Corey and his band of skater buddies sometimes make mischief, but they're more interested in girls and having fun on their boards than in getting into any real trouble. Notorious enemy crew the Daggers, led by Tommy Hook, get their kicks terrorizing the locals at Venice Beach. When Corey starts dating Tommy's kid sister Chrissy, the Daggers are furious. The boys then take their beef to the "L.A. Massacre," a deadly skate race down a canyon road.

Jared, the son of a Baptist pastor in a small American town, is outed to his parents at age 19. Jared is faced with an ultimatum: attend a gay conversion therapy program – or be permanently exiled and shunned by his family, friends, and faith.

While on a forgettable first date together in Ohio, a black man and a black woman are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results.

Riley, now 12, who is hanging out with her parents at home when potential trouble comes knocking. Mom's and Dad's Emotions find themselves forced to deal with Riley going on her first "date."

A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.

Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.

After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

A tale of outsized ambition and outrageous excess, tracing the rise and fall of multiple characters in an era of unbridled decadence and depravity during Hollywood's transition from silent films to sound films in the late 1920s.

Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Riley's guiding emotions— Joy, Fear, Anger, Disgust and Sadness—live in Headquarters, the control centre inside Riley's mind, where they help advise her through everyday life and tries to keep things positive, but the emotions conflict on how best to navigate a new city, house and school.