Gary Merrill

The Littlest Hobo is a Canadian television series based upon a 1958 American film of the same name directed by Charles R. Rondeau. The series first aired from 1963 to 1965 in syndication, spanning six seasons and was revived for a popular second run on CTV from October 11, 1979 to March 7, 1985. It starred an ownerless dog. All three productions revolved around a stray German Shepherd, the titular Hobo, who wanders from town to town, helping people in need. Although the concept was perhaps similar to that of Lassie, the Littlest Hobo's destiny was to befriend those who apparently needed help. Despite the attempts of the many people whom he helped to adopt him, he appeared to prefer to be on his own, and would head off by himself at the end of each episode. Never actually named on-screen, the dog is often referred to by the name Hobo or by the names given by temporary human companions. Hobo's background is also unexplained on-screen. His origins, motivation and ultimate destination are also never explained. Although some characters appeared in more than one episode, the only constant was the Littlest Hobo himself.

The New Breed is an American crime drama series that aired on ABC from October 3, 1961 to June 5, 1962, with thirty-six episodes.

Suspicion is the title of an American television mystery drama series which aired on the NBC from 1957 through 1959. The executive producer of Suspicion was film director Alfred Hitchcock.

Justice is an NBC half-hour drama television series about attorneys of the Legal Aid Society of New York, which aired from April 8, 1954 to March 25, 1956. In the 1954-1955 season, Justice starred Dane Clark as Richard Adams and Gary Merrill as Jason Tyler. In the 1955-1956 season, William Prince replaced Clark in the role of Richard Adams. Westbrook Van Voorhis was the series narrator.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.