Ray Collins

The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Dull and plain Catherine lives with her emotionally distant father, Dr. Sloper, in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend, a dashing social climber with his eye on the spinster's heart and substantial inheritance.

The Halls of Ivy is an NBC radio sitcom that ran from 1950-1952. It was created by Fibber McGee & Molly co-creator/writer Don Quinn before being adapted into a CBS television comedy produced by ITC Entertainment and Television Programs of America. British husband-and-wife actors Ronald Colman and Benita Hume starred in both versions of the show. Quinn developed the show after he had decided to leave Fibber McGee & Molly in the hands of his protégé Phil Leslie. The Halls of Ivy's audition program featured radio veteran Gale Gordon and Edna Best in the roles that ultimately went to the Colmans, who demonstrated a flair for radio comedy during the late 1940s recurring roles on The Jack Benny Program.

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.

It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.