Robert Lansing

The Evil Touch is an Australian-produced television series, originally broadcast in Australia in 1973. It was an anthology series where each episode had a self-contained story and a new set of characters. Each episode feature a new cast of guest actors, although several guest stars appeared in more than one episode, playing different characters. Each story is a thriller or horror story of some variety, ranging from tales of the occult and the supernatural, science fiction horror stories, to more standard murder schemes and whodunits. Most stories feature a twist ending.

Young Doctor Malone is an American soap opera, created by Irna Phillips, which had a long run on radio and television from 1939 to 1963. The producer was Betty Corday, who also produced Pepper Young's Family and later was a co-creator with husband Ted Corday of NBC Daytime's Days of our Lives. Sponsored by General Foods and Post Cereals, the radio serial began on the Blue Network on November 20, 1939. The 15-minute program aired daily at 11:15am, continuing until April 26, 1940. Without a break, it moved to CBS on April 29, 1940, where it was heard for two decades, first airing at 2:00pm weekdays and then 1:30pm. In 1945, Procter & Gamble assumed sponsorship of the program.

A British television anthology series. The series has a fantasy, science fiction and supernatural theme, very similar to the American television series The Twilight Zone, and deals with normal people whose everyday situations somehow become extraordinary. It featured both British and American actors.

87th Precinct is an American crime drama starring Robert Lansing, Gena Rowlands, and Ron Harper, which aired on NBC on Monday evenings during the 1961–1962 television season.

Automan is an American science fiction superhero television series produced by Glen A. Larson. It aired for only 12 episodes on ABC between 1983 and 1984.

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

This series chronicles the adventures--in the air and on the ground--of the men of the 918th Bombardment Group of the U.S. Eighth Air Force. First commanded by irascible General Frank Savage--and later by Colonel Joe Gallagher, the son of a Pentagon General--the Group is stationed in England, and flies long-range bombing missions into German-held Europe.

Sam Benedict is an American legal drama that aired on NBC from September 1962 to March 1963. The series was created and executive produced by E. Jack Neuman. Sam Benedict is based on real-life lawyer Jacob W. "Jake" Erlich, who served as technical consultant for the series.

Kung Fu: The Legend Continues is a spin-off of the 1972–1975 television series Kung Fu. David Carradine and Chris Potter starred as a father and son trained in kung fu - Carradine playing a Shaolin monk, Potter a police detective. This series aired in syndication for four seasons, from January 27, 1993 to January 1, 1997, and was broadcast in over 70 countries. Filming took place in Toronto, Ontario, Canada. Reruns of the show have been aired on TNT. The show was canceled when its producer, Prime Time Entertainment Network, ceased operations and no other network opted to continue the series.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons. In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats. Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.