Ross Martin

Mr. Lucky is a CBS adventure/drama television series that aired from October 24, 1959, to June 18, 1960, with repeats until September 3. Blake Edwards developed the program as a retooling of his Willie Dante character from Four Star Playhouse, where the role was played by studio boss Dick Powell. In the 1960–1961 season, Howard Duff assumed the role of Willie Dante in the NBC adventure/drama series Dante. Mr. Edwards directed and co-wrote the first episode of Mr. Lucky, and the credits of the first eighteen episodes included "Entire production supervised by Blake Edwards." Jack Arnold produced the show and directed fifteen of the thirty-four episodes. Henry Mancini's smooth theme music for the show reached Number 21 in the US singles charts. He released two successful LP's based on the show, Mr. Lucky and Mr. Lucky Goes Latin.

Sam Casey is an agent for INTERSECT, a government think-tank and operations center specializing in secret missions. While on a diving assignment, Sam was affected by the radiation from an underwater explosion. The radiation rendered him invisible, but INTERSECT devised a way to control his invisibility, by fitting him with a computerized watch that kept him visible. He could, however, shut it off, and become invisible again, for short periods of time. If he did this for more than 15 minutes in any 24 hour period he would die. This ability to become invisible made him a very effective agent.

The Robonic Stooges was a 30-minute Saturday morning animated series featuring the characters of The Three Stooges in new roles as clumsy crime-fighting bionic superheroes. It was developed by Norman Maurer and produced by Hanna-Barbera Productions from September 10, 1977, to March 18, 1978, on CBS and contained two segments, The Robonic Stooges and Woofer & Wimper, Dog Detectives. The Robonic Stooges originally aired as a segment on The Skatebirds from September 10, 1977, to December 24, 1977, on CBS. When CBS canceled The Skatebirds in early 1978, the trio was given their own half-hour timeslot which ran for 16 episodes.

Treasury Men in Action is an American crime drama series broadcast live and which aired from 1950 through 1955 on ABC. The series stars Walter Greaza, Ross Martin, and Tom McKee. It was directed by William Beaudine, Leigh Jason, and Will Jason among others.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

Rod Serling narrates an anthology of fantasy, horror and sci-fi stories from a set resembling a macabre museum. A chilling work of art serves as the connective link between the stories.

The Wild Wild West is an American television series Developed at a time when the television western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as "James Bond on horseback." Set during the administration of President Ulysses Grant, the series followed Secret Service agents James West and Artemus Gordon as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over all or part of the United States. The show also featured a number of fantasy elements, such as the technologically advanced devices used by the agents and their adversaries. The combination of the Victorian era time-frame and the use of Verne-esque style technology have inspired some to give the show credit for the origins of the steam punk subculture.

Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie's arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate's own invention.