Tokio Emoto

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Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.

'Ms. Kishibe, what kind of dictionary do you prefer?' Midori Kishibe is suddenly transferred from the editorial department of a fashion magazine to the dictionary editorial department. The only person waiting for her is her eccentric boss, Mitsuya Mashime.

Years after retiring from their formidable ninja lives, a dysfunctional family must return to shadowy missions to counteract a string of looming threats.

Ryōsuke Sagara is an ordinary salaryman and he works for a mid-size shipping company. He is a good-natured person. His family consists of his wife Maho, high school student daughter and elementary school student son. Maho works part-time at a supermarket. They are a happy family, but Maho and their two children suddenly disappear. There are no clues about their disappearance. Ryōsuke gets the attention of the media and public. He tries to find the truth behind his family's disappearance with the help of his subordinate Mizuho Ninomiya at work.

Pinku (the Japanese softcore film sub-genre) has a long and historied part in Japanese cinema. The genre has existed for over forty years and seen many ebbs and flows. One of the directors during the heyday of the movement was the prolific Muranishi Toru. Adapted from a novel about the man, this series depicts the character, his art, vision and his interactions with the approving and disapproving folk around him.

Six complete strangers with widely varying personalities are involuntarily placed in an endless maze of interlocking cube-shaped rooms containing deadly traps.

Hirayama seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected encounters gradually reveal more of his past.