De Rechtbank

How to Marry a Millionaire is an American sitcom that aired in syndication from September 1957 to August 1959. The series is based on the 1953 film of the same name starring Marilyn Monroe, Betty Grable, and Lauren Bacall. The series stars Lori Nelson, Merry Anders, and Barbara Eden. Lisa Gaye joined the cast in the second season after Lori Nelson left the series. How to Marry a Millionaire was the first series that Barbara Eden was featured in as a regular cast member. Eden would go on to play one of her more notable roles, "Jeannie" in the NBC sitcom I Dream of Jeannie. During the series' first season, Eden was billed third. After Lori Nelson left the series, Eden was billed first.

Mike Hammer, Private Eye is an American syndicated television program based on the adventures of the fictitious private detective Mike Hammer, created by novelist Mickey Spillane. The show starred Stacy Keach and was seen as an attempt to revive the character he had played in Mickey Spillane's Mike Hammer and The New Mike Hammer - two moderately successful syndicated CBS series from the 1980s. Mike Hammer, Private Eye premiered on September 27, 1997. The show failed to gain a wide audience and, as a result, it was canceled after only one season. The final show of the series aired on June 14, 1998.

'LOOSSEMBLE ASSEMBLE' is the secondary Loossemble YouTube Channel just for their own variety shows.

Grace and Jonathan Fraser are living the only lives they ever wanted. Overnight a chasm opens in their lives: a violent death and a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster, Grace must dismantle one life and create another for her child and her family.

Swedish investigative journalism series known for the use of concealed cameras and microphones.

Maggie and Negan travel to post-apocalyptic Manhattan - long ago cut off from the mainland. The crumbling city is filled with the dead and denizens who have made it a world full of anarchy, danger, beauty, and terror.

Homosexual opinions from Darby Lynn Cartwright, Alexis Bevels, & Aunty Chan. They watch TV so you don't have to!

Krishna Mohini is a poignant drama set in the holy land of Dwarka, India, following the journey of twenty-one-year-old Krishna, a gifted singer and sole breadwinner for her family. As she navigates life’s challenges, including her brother Mohan’s struggle with gender identity, Krishna must confront societal norms and prejudices while striving to protect and support her loved ones. With themes of identity, family, and resilience, Krishna Mohini sheds light on the often-overlooked issues facing the transgender community in India.

"The Birthday Boys" is a scripted original sketch comedy, executive produced by Bob Odenkirk ("Breaking Bad", "Mr. Show") and Ben Stiller ("The Secret Life of Walter Mitty", "Zoolander"). The series features the Los Angeles comedy group of the same name (UCB Theatre Los Angeles, Just for Laughs Festival) along with Odenkirk and is in the classic vein of absurd/silly/smart/funny variety shows ("Mr. Show", Monty Python), featuring sketches that twist real-life moments and cultural touchstones.

Bargain-blagger Joe Wilkinson and luxury-lover Katherine Ryan show us how to live the champagne lifestyle on a lemonade budget with some fantastically affordable getaways.

Four college students are murdered in Idaho. A group of amateur detectives obsessed with true crime try to solve the case by examining evidence and pursuing leads.

Mick St. John is a captivating, charming and immortal private investigator from Los Angeles, who defies the traditional blood-sucking norms of his vampire tendencies by using his wit and powerful supernatural abilities to help the living.

As Mexican-American Tejano singer Selena comes of age and realizes her dreams, she and her family make tough choices to hold on to love and music.

A true-crime satire that explores the aftermath of a costly high school prank that left twenty-seven faculty cars vandalized with phallic images.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Set in a part of Tokyo that has descended into a quagmire, the story follows Unit 8 of the 5th Special Public Security Section's 3rd Mobile Assault Division — popularly called "The Eighth" — who don powered armor "Willware" exoskeletons to counter the rise in crime. Assistant inspector Asami Kazari is assigned to The Eighth with the task of assessing the unit's status and reporting it to her superiors. But her true goal is to rehabilitate this sloppy, haphazard, justice-less group.

A docu-series that spotlights entitled individuals involved in elaborate criminal behavior. At times quirky and funny, at others outrageous or disturbing, these are the stories of people who thought they could, or should, get away with it.